The Moon Practice
The Moon Practice is performed by a minimum of three performers.  The Moon Practice is performed ideally by five performers.

The Moon Practice draws on the concept of performativity, and so looks at the notion of theatrical performance with regards to the socio-historical circumstance that make the comprehension of theatricality possible.  To do so, a possible definition of ‘meaningful’ or ‘performed’ is studied in comparison to the definition of ‘gendered’.

The Moon Practice is thought as a reflective practice, in which performer’s thinking is reflected in their moving, and gesturing.  The performer’s moving and gesturing in turn  become the sight at which meaning materialises for the observer.  What meaning materialises for the observer – only the observer can ever decide.  In order to allow the observer to associate freely, the performers are not instructed to aim at creating linear, or sensical narratives.  Instead, the performers are instructed to stay with their thought process and associate freely as they move and gesture.

During The Moon Practice, both performer and spectator are asked to exercise their ability to empathise with any physicalised form of signification.

The Moon Practice works with perceptive power of the eye in mind, and builds on the faculty of visual perception to ‘think in pictures,’ delaying the time in which the brain is consciously creating sense of what is happening on stage – so that once that process begins, it can be noticed.

to be continued…

This practice aims at transforming the theatre into a social space in which a conversation with potential for reflective exchange takes place.

Initiated and developed by pavleheidler

Image credit: Jonatan Winbo